Jennifer Ley
Colors

it was green 
but there was nothing 
verdant about it 
nothing cooling 
in its prism. 
it was hot 
and should have been red; 
should have screamed carmine.

I watched it color her 
like a child, 
always outside the lines, 
always smudging her hands 
as she clawed at the paper, 
stained her nails.

what was red, so red within 
beat green and mean, 
hatched from hesitance, 
an eye ever watchful 
on the nest.

yet so many found her kind 
and good, 
lauded her better moments, 
did not see the acid 
underneath.

as she etched at herself, 
alone, 
hoping to bring into relief 
that which imprinted early. 
hoping to find 
in a blazing fall, 
that one bush 
which would not burn.

Mapping Your Skies

sometimes when she tries to crawl 
inside it feels effortless, 
as if she’s travelled there before.

other times, though she’s sure 
she knows her landmarks 
he’s like a new galaxy, and she without 
the proper instruments 
for sorting chroma into spectra.

still other times 
(and this is difficult to say - we all 
need our secrets) 
though she has found her way 
he will say no, no, it is not that 
not that at all, and launch a comet 
to distract her, a nebula, a few new moons.

science is far from accurate at times; 
charting your engrams I read between 
the lines and find type you never set, 
or words you’ve still to recover, 
left in that apprentice’s bin beside the door, 
something you discarded 
for want of better technology.

put my hand on yours and hold the pen 
onto this paper, onto this legend 
we are writing together. 
help me chart a path in simple script 
through your raging stars.

In The Soup

these days, you need to understand the vocabulary. 
the up side. 
the down side. 
the fact that the middle is not necessarily 
where the truth lies 
or where you’ll be most comfortable.

you cannot be led astray 
by old, comfortable metaphors 
like the sense of being comforted — 
sandwiched. 
you need to remember 
that today 
the two pieces of bread 
will tend to have more in common 
in their intrinsic construction 
and affinity 
than you will have with them 
as the meat.
you need to understand that being the meat
 
carries certain risks. 
life on the hoof, 
free range, 
is not what it seems. 
the laws of optics may present 
a limitless horizon 
but one which an aerial perspective 
would belie.

always double check your instrumentation 
lest your altitude 
affect your sight. 
lest your inner ear 
trust the wrong timpani. 
lest the words you learned 
when young 
betray you, and take their bite.

Trimming The Fat

the butcher says 
he is just trimming the fat, 
going for the lean. 
he sharpens his knife 
cuts off gristle and bone.

some pieces of meat 
will never make the grade. 
he marks them for use as dog food, 
the equivalent of horse meat, 
something for the glue pot 
that simmers outside 
the bounds of history.

we get so hungry 
our cells crying for a piece of fat, 
some energy to burn. 
secret societies form 
where people huddle, 
whisper, the slick stuff 
running down their jowls.

meanwhile, the butchers stay busy 
flaying words from the page, 
bytes from the baud, 
making the meat respectable 
and safe. 
they cut into the clean flesh 
of what's been wrought.

given a choice, I would sear 
my steak 
on a high flame, 
watch the molecules dance 
released 
to inform and infect 
other air.

I'd watch the butchers 
try to breathe.

The above works are from Jennifer Ley's
cyberchapbook, Ambient Alchemy
An active member of the internet poetry community, Jennifer Ley’s 
work has been featured on a wide variety of electronic sites including: 
Recursive Angel, Grist On Line, Poetry Cafe, Pif, and Zero City. She 
edits the award winning hypertext web site - The Astrophysicist’s Tango 
Partner Speaks and hosts the live internet interview series, [/poetry_bytes], 
on the Undernet Server network.